翻訳と辞書
Words near each other
・ Laetitia Chapeh
・ Laetitia d'Arenberg
・ Laetitia Darche
・ Laetitia Denis
・ Laetitia du Couëdic
・ Laetitia Dugain
・ Laetitia Gachet
・ Laetitia Griffith
・ Laetitia Masson
・ Laetitia Matilda Hawkins
・ Laetitia Meignan
・ Laetitia Moma Bassoko
・ Laetitia Pilkington
・ Laetitia Pujol
・ Laetitia Salles
Laetitia Sonami
・ Laetitia Tignola
・ Laetitia Valdonado
・ Laetitia Yhap
・ Laetitia Zonzambé
・ Laetitiae sanctae
・ Laetoli
・ Laetoria (gens)
・ Laeva
・ Laeva Parish
・ Laevagonum
・ Laevapex
・ Laevapex fuscus
・ Laevapex vazi
・ Laevaricella


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Laetitia Sonami : ウィキペディア英語版
Laetitia Sonami

Laetitia Sonami (born 1957 France) is a sound artist, performer, and composer of interactive electronic music who has been based in the San Francisco Bay area since 1978.〔Gann, Kyle ''American Music in the Twentieth Century'' (Schirmer Books, 1997) ISBN 002864655X, p. 381, 382〕 She is known for her electronic compositions and performances with the ‘’Lady’s Glove’’, an instrument she developed for triggering and manipulating sound in live performance.〔Wilson, Stephen. (2002). ''Information Arts: Intersections of Art, Science, and Technology''. MIT Press, Cambridge MA/ London, England. ISBN 0-262-23209-X. p. 749〕 Many of her compositions include live or sampled text. Sonami also creates sound installation work incorporating household objects embedded with mechanical and electronic components. Although some recordings of her works exist, Sonami generally eschews releasing recorded work.〔Rodgers, Tara. (2010). ''Pink Noises: Women on Electronic Music and Sound'', Duke University Press Books, ISBN 0822346737. pp. 8, 9-10, 54, 202〕
==Biography==
Born in France in 1957, Laetitia Sonami began pursuing her interest in electronic music in the mid-1970s and studied with composers Éliane Radigue (France) and Joel Chadabe (US). She moved to California in 1978 where she studied composition at Mills College in Oakland with Robert Ashley, David Behrman, and Terry Riley.〔Gann, Kyle ''American Music in the Twentieth Century'' (Schirmer Books, 1997) ISBN 002864655X, p. 382〕 She received an MFA from the Mills College Center for Contemporary Music in 1980. In 1991, she began developing a controller for performance that would become the ‘’Lady’s Glove’’ for which she is widely known in the experimental music world.
Since the 1990s, Sonami has given performances and shown installation work in concert venues, museums, and art galleries internationally, including appearances at Ars Electronica (Linz, Austria), the Other Minds Festival (San Francisco), the Interlink Festival (Japan), Lincoln Center Out of Doors (New York), and Internationales Musikerinnen-Festival (Berlin). Sonami received a 2000 Foundation for Contemporary Arts Grants to Artists Award. In 2013, a film about Sonami, ‘‘the ear goes to the sound: The Work of Laetitia Sonami’’, was made by artist Renetta Sitoy.〔(【引用サイトリンク】url=http://www.earsoundfilm.com/ )〕 Sonami was sound designer for ¨A Blank Slate,¨ a 2014 film by Sara Eliassen. Sonami teaches sound art at the San Francisco Art Institute.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Laetitia Sonami」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.